FABRICS

LUDAIX VELVET

An archival print selected by Henry, Ludaix has a nostalgic feel, drawing back to a French family home where Henry spent many summers. As a botanical in this collection, Ludaix feels different and conversational. A Japanese-style silhouette, the featured floral has a ruffled Ikat brush edge. Also available in a wallpaper, the scale of the original archive design has been translated here.

WASHI

Washi reveals elements of layering over time and feels robust and assured in its form, emulating a different kind of marble design. Printed on a textured cloth with a slub, Washi is a small-scale design but impactful, nonetheless.

SOUTHBOROUGH

Southborough is an embroidered chevron ombré that harnesses the tones found in Henry's clay work. Southborough cocoons interiors in deepening shades of Rose, Chocolate, Matcha, and Pacific. The colours intensify throughout the ombre, giving new meaning to this stepped chevron design.

MARBLE WAVE

Our design studio selected a section of this organic marbling pattern from Henry's signature marble design and translated it into an embroidery that undulates in a raised matt bouclé. Impactful, Marble Wave has been crafted with varying grounds to work within the collection palette.

BLENETS CHECK SHEER

This soft and airy sheer fabric has a Japanese feel - simple and effortless but with a little nod to the Blenets blocks across other fabric designs. A simple stitched check detail adds texture to this sheer fabric, which is featured on the same scale as the coordinating wallcovering.

BISQUE

Playfully unexpected, Bisque is a crewel work embroidery with clever use of highlighting stitch work on a soft linen base. Designed on a very useable scale, Bisque is a fun take on a stripe inspired by Henry's ceramic formations, which play with organic, naturally occurring rhythms in the designs.

IKIGAI

This embroidery uses a running stitch with overlaps of colour across the whole collection palette. A statement design, Ikigai is very organic in its form, full of detail and visual intrigue. Ikigai, in Japanese, means 'a reason to live' and comes from the concept of living with purpose and joy. This embroidery exemplifies the mindfulness of this craft and the joy that comes from such a full design.

NERIKOMI

Nerikomi has been made in a positive and negative weave, meaning it can be used in reverse. The neutral ground across all colourways allows the Nerikomi form to take centre stage, a technique Henry has mastered in his work, where coloured layers of clay stack to create an organic design of endless possibility.